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  • I'm going to start this off with the disclaimer that I'm not of the camp that believes that The Beatles are the greatest band to ever grace the face of the earth (The Ventures were doing FX work long before they were and their invasion of "Can't Buy Me Love" wiped out the rad age of surf rock. Origins of a concept album...okay I'll cede that to them, even though if you want to get technical about it every opera can be considered a concept album. But whatever.) What was I doing...oh yeah, writing a review. Being an avid Cirque-goer, I'm going to borrow from someone else's review to say that I was underwhelmed by the acrobatics. The sets and costumes were cool as always, although sometimes very cluttered and confused-looking. But there were very few noteworthy acts--the only two I remembered liking were the guys on skates and the dude trampolining around (I think during USSR?). And I was pissed at the lameness of "Come Together." If you are traversing long stretches of stage on foot in a Cirque show, you damn well had better be doing it via flips or cartwheels. DAFUQ? The choreography was meh. If they're going in the hip-hop direction they need to amp up their routines. Where's Mia Michaels when you need her? It helps if you go into this without thinking of it as a cirque show, and instead as a multi-sensory Beatles concert sans the Fab Four. It's not like it was awful, but I left thinking I could've been at a Mystere show (two for the price of Love). My mom (the Beatles fan in the family) wasn't too impressed either (then again, she's not impressed by a lot of things...). I will give them credit though: I found out I don't dislike the Beatles as much as I do. And the dancified remixes of some of the songs sound pretty awesome (Glass Onion comes to mind). PS: LOVE THAT RAINBOW WALKWAY!
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