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  • This is a fine, old, ornate theater that I visited for the first time to see the ballet. It's fairly large and wide for a opera and ballet venue, with an orchestra section and one large balcony with seats in several tiers. There are no boxes or seats around the sides. I was a little concerned about the acoustics and sound carrying properly in this large theater, but when the orchestra started playing I was pleasantly surprised by the fine acoustics. I had a seat in the front orchestra in the side in row E. I was also concerned about sight lines, but for the most part they were excellent at this side seat. I would consider the quality of the sound and the sight lines from this seat better than what I've had at a comparable seat at the Metropolitan Opera. However, it's not true that every seat is a good seat. The stage was very wide and deep, and from my seat I could not see a crucial scene that took place in the back of the stage. The action on the right side of the stage was also not visible to me. The prices, though, took this into account and my ticket was about half of what the price would be if I moved over a few seats to the center. I did not find the interior quite as nice as Heinz Hall, and the new bar and lounge in the upper level does not quite fit in with the rest of the decor. The afternoon matinees of the Pittsburgh Ballet unfortunately attracted an audience that made this not quite as pleasurable as it could be. Some parents thought it was ok to bring small kids to a three hour ballet. I had to suffer with fidgety kids kicking seats and constantly moving around. The lady next to me was also classless, checking her smart phone every ten minutes and reading her email. The performance, though, was excellent and I will definitely come back here for evening performances.
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