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  • I must be a fan, I've seen almost every single Cirque du Soleil show ever produced. It was interesting to skim through other reviewers to read their high and low points. It's true that the resident shows, like in Vegas, might be more spectacular, but those venues were built to accommodate each specific and unique Cirque show. Radio City is a different breed, just like the traveling tent or indoor-arena Cirque shows are still another breed. Part of the excitement with Zarkana is anticipating how the Cirque staff will utilize the facility in comparison to a Christmas show with the Rockettes. I didn't read the program until after I got home. I wish I had read the set design portion so I would have notice more of the finer things that I ended up overlooking. As for the story line, I don't go to a circus to watch and hear a story like going to a movie theater. I go to see fun, talent, and entertaining acts like in a vaudeville show. Something as simple (?) as juggling large flags met that criteria. The electronics of the led screen had me wondering which were images and which were actual performers. I've collected the sound tracks of many of the Cirque shows, but this is not one I'll be buying. It did not seem as abstract and mysterious to me. It seemed like the costumes were not as elaborate and colorful as in most of the other shows. But when all the performers came out for their final bow, they seemed to be wearing much more colorful and elaborate costumes than when they performed. As others have said, there are discounts to be found. Seek them out. I was surprised at the number of empty seats at a Saturday matinee show that showed all those seats as not available when I was attempting to purchase them 3 days before the show. I'm still a Cirque du Soleil fan and look forward to the next one I will see.
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